Maut ke Saudagar (Merchants of Death) is an Urdu film released in 1976.
One of the challenges facing those of us who write bout Pakistani films is that of the many thousands that have been released over the years (over a 100 a year in the Golden Age of the 60s and early 70s) relatively few are publicly accessible on the internet or for purchase. Many of the ones that are available suffer from horrible sound and vision making watching them an exercise in self-torture.
Maut ke Saudagar is in that vast category of films about which I can only conjecture information. I’ve not been able to locate any reference to the film on any of the several excellent Lollywood-related sites on the net. And the authoritative text, Mushtaq Guzdar’s out of print book Pakistan Cinema: 1947-1997 also has no mention of the film.
But clearly, from the album cover of the soundtrack, such a film was made and at least a few of the songs from the soundtrack were released. And while the song we highlight today is sung in Urdu and English, I can’t absolutely be sure the film was made in Urdu. Often Punjabi songs appear in Urdu films and vice versa.
So while much about this movie remains a mystery this particular track is a winner.
Nahid Akhtar and A Nayyar (?) sing a stoner’s duet that opens with a man taking a long toke and exclaiming
Kash pe kash lagao/ nashe mein dub jao
[Take hit after hit/lose yourself in the high]
Nahid echoes the final phrases of both lines before repeating them in a dreamy slur, one of her many artistic trademarks. A female falsetto chorus joins in as the lead singers toss the sexy title line back and forth. The rest of the song’s lyrics are emblematic of the hippie generation: love everyone equally be they black or white; don’t let religion turn us into haters; respect for humanity.
The song sounds like classic M Ashraf or Tafo with its gurgling electronics, tasty guitar licks, and a general happy bounce. But the information I have (don’t rely on it) suggests the music is composed by Kamal Ahmed, an Indian immigrant (Gurgaon) who composed the scores for some classics like Basheera and Rangeela.
Sadly this little gem remains an enigma wrapped in a mystery. But there is sparkle aplenty here!