Ding Dong Ding Dong

deewar

Deewar (Wall) is an Urdu film released in 1976. It achieved ‘flop’ status and sunk like a stone.

The film starred Babra Sharif who had debuted in films two years earlier. Though her dominance of the industry was still some years in the future she had received very good reviews, won a Special Nigar Award (Pakistan’s Academy Awards) and had starred in some very successful movies by this point.  Sadly, Deewar, in which she shared the limelight with Ghulam Mohiuddin, was a disaster.

The music was composed by M Ashraf and as such is always worth investigating. Ashraf loved to experiment with rhythms, styles and sounds.  One of his favorite signatures was a steely electric guitar riff such as the one that opens this number. It’s edgy, its liquid and when mixed with a snappy snare drum puts the listener on notice “You’re about to have some fun!”

You don’t need to see the film to know what is going on in this scene.  We are witnessing a wild dance party of hip people who are busy flirting and being silly.  The title of the song is repeated like a nonsense nursery rhyme by Ahmed Rushdi by way of welcoming Mehnaz who tells us the best thing in the world is L.O.V.E.

From this point on we are off to the races.  Manic accordion solos swirl around repeated choruses of Ding Dong Ding Dong, an early Moog keeps the bass line bubbling while that electric guitar makes strategic stabs into the sound-osphere.

This track is not exactly an ‘item number’ and should rightly be classified as a dance or disco song. And as the whole concept of co-educational partying and dancing is deemed to be a Western innovation it is important for lyrics, at least in part, to be sung in English. And so about 2 and a half minutes into the proceedings Ashraf changes things up by incorporating the melody lines of the famous Punjabi ditty Balle Balle. Instead of shouting Balle Balle (Punjabi for ‘hooray’, from the Persian word, baleh meaning ‘yes’) the English words, hello hello are substituted.

Hello Hello/ You know it is I love you

I will sing with you, my sweety

And I die with you/Hello Hello I miss you

Hello Hello/ You know it is I love you

Ahmed Rushdi was a regular partner of M Ashraf and the most successful male playback singer of the era. He modeled his singing style on that of Mohammad Rafi which is especially noticeable on more subdued tracks.  But Rushdi was an expert rocker as well. He could sing with gusto and as he demonstrates here could make suitably lusty grunts when required.

As for Mehnaz, she turns in a very credible somewhat raunchy performance which matches the mood perfectly. Mehnaz was from a famous music family (her mother was Kajjan Begum) whose reputation was made with a light classical repertoire of ghazal, dadra and thumri.  Songs such as this inane piece must have made her squeamish, but if so, she hides it very well.

The last part of the song is a riot of English love banter which sort of brings the song to a shambolic climax 6 minutes later.

Ding Dong

 

Some Say I am a Sweety

korakaghaz

Kora Kaghaz (Blank Page) was an Urdu movie released in 1978.

Pakistan and India are arch rivals in every sphere of life: war, cricket, nationalistic governments and possession of Kashmir, to name just a few.  While you could say the Pakistani film industry was never large enough to be a serious rival to what has come to be known as Bollywood,  there was always plenty of artistic appropriation going on between both industries.

Pakistani singers crossed back and forth across borders having hits and fans in both countries.  Story ideas and plot lines were pinched without compunction from each other. The studios in Lahore and Karachi regularly remade mega-hit Indian films. By appending the same titles to their own creations they no doubt hoped to strike similar box-office gold as the originals.

Kora Kaghaz was the name of an Indian movie released in 1974 which itself was a remake of a Bengali film by the name of Saat Pake Bandha (1963).

The Pakistani version of the movie was a big hit. It ran continuously for  27 weeks in cinema halls in Karachi, attaining coveted Silver Jubilee status.

The film’s music was composed by Nazir Ali who was known primarily for his work in Punjabi films. Called by some the ‘master of rhythm’ his work covered the range of ‘fast’ ‘slow’, upbeat and ‘sad’ numbers including a number of ghazals that were made popular by Noor Jehan.

This song definitely qualifies as an ‘upbeat’ number.

Rhythm features from the outset with rapid fire drum rolls mixed with strummed acoustic guitars and the warm swells of a mellotron.  Nahid Akhtar then enters with some ‘la la la’ ing that flattens out in a typical Punjabi way by way of introduction to the opening line,  Some say I am a sweety!

The song is clearly an ‘item number’. A song sung by a vamp, usually to a rock n’ roll beat, in a disco or hotel cabaret.  Nahid Akhtar was the queen of ‘item numbers’ in the 70’s making her reputation as one of Pakistan’s best-loved, most prolific playback singers.  Her partnership with music director M Ashraf is particularly well remembered.

Some Say I am Sweety alternates between English and Urdu lyrics which are banal in both languages. But what the song lacks in lyricism it makes up for with a heady mix of instruments, sounds, and beats. Electic fuzz guitars, sizzling electronic keyboards, accordions, flutes and of course lots of snares and bongos.

Some say I am a sweety/ some say a queen of the beauty

I am alive/heart is beating/but my soul is hurting

 

Sweety