Ik Gunah aur Sahi (One Sin More) is an Urdu film released in 1975. It ran for 52 consecutive weeks in Karachi’s cinema halls achieving Golden Jubilee status.
The super hit film was based on the controversial short story Mummy by Sa’adat Hasan Manto. Manto is considered one of the Urdu language’s best writers and is appreciated(for his concise prose and deprecated for his unabashed discussion of topics such as sexuality, which his peers found distasteful.
Mummy is a portrait of one Stella Jackson, an Anglo-Indian woman in Poona (Pune) who is painted in the shades of a madam/procuress for those connected with the film industry. The story begins by attaching all the stereotypes of ‘loose’ Christian, Anglo-Indian (Eurasian) women to Stella: heavily made up to the point of ugliness, drinker, prostitute. By the end of the story, however, Manto is less moralistic about Mummy and leaves the reader feeling a great deal of empathy and compassion for his character.
I’m really looking forward to watching this film to see how director Hassan Tariq (who also wrote the screenplay) handles the drama. The film starred beauty queen/dancer Rani (Tariq’s ex-wife) and dashing leading man Mohammad Ali.
The album cover of the soundtrack (above) is revealing on a couple of counts. First, the image of a modern young lady giving you a ‘come hither’ look next to a bottle of whiskey pretty much sums the storyline for the casual observer. The whiskey, Vat 69, was apparently the preferred poison of villains and vamps on both sides of the border. Watch any film made in Lahore or Mumbai from this era (60s-80s) and you’ll see Vat 69 in the clutches of some shady character or another.
The other interesting thing about this cover is the prominence given to the music director, Nisar Bazmi. Not every music director would be afforded such visibility and only those whose name would in its own right draw customers into the cinema or shop. Bazmi, without a doubt was one of the few.
Originally from Maharashtra, Bazmi began his career in Bombay and until he left for Pakistan, the mentor to one of the greatest musical duos of Indian film, Laxmikant Pyarelal. In Pakistan, he composed music for dozens of films in a wide range of styles from folk and classical to pop and rock.
Today’s song Kya Haseen Jism Hai (What a Beautiful Body You Have) is an ‘item number’ but without the usual disco/dance beats. Rather Mehnaz delivers the mid-tempo number with huge pathos and sadness. This the song of a woman who knows exactly what sort of world she is living in. A world of fleeting desires and pleasures where bodies are sold and traded for cash and cheap, hollow laughs. Through unrelentingly depressing lyrics and Mehnaz’s moody singing, the audience is treated to a cold critique of a certain class of cashed up Pakistanis who lived lives far removed from those of most of the audience.
The music is understated, which as I said, is not what one would expect from a vamp’s nightclub solo . Bazmi gets some excellent, soulful electric guitar licks out of his band of musicians and expertly increases the emotional tension by employing a small orchestra of strings but overall the music is composed in such a way as to give Mehnaz the space to do her moody interpretation of a very sad business.
All in all, top shelf stuff!